Showing posts with label the wildhearts. Show all posts
Showing posts with label the wildhearts. Show all posts

Tuesday, 28 May 2013

Silver Ginger Five, Black Leather Mojo




Silver Ginger Five, Black Leather Mojo (2000-Mercury Japan)

Made by the Wildhearts front man Ginger in 1999 and on a Japan label the album was intended to be his first solo album. He had worked with others just before this project like Alex Kane on the Stop Thinking album and the Supershit 666 superband. But this was all cards on the table, only he could make it work or not.

Well it is a funny one as I think he did do something with the album and that was to headline a large venue in London without even having the album out in the UK. It was a Japan only album for quite a while so any fans who wanted it had to pay quite a bit for a Japan import.

The album opens with what I would say is a solid first track “Sonic Shake” has all the ingredients you need for an air guitar fuelled three minutes. Big loud riffs that sound bigger as it gets louder, the drums are tight and the quality is here. The production is spot on and is need to hear all that is going on.

Second track “Divine Imperfection” Continues the riffs, simple and fun. The song has such a great sing a long feel to it, helped with the harmonies and great lyrics. “Anyway but Maybe” comes crashing out of the speakers like a roller coaster that is coming off its rails. Big drum fills and bass that can easily take the roof off. Remember that production? Here it is, after that nice big build up you get Gingers vocals. Great lyrics and all the things needs for me it is a stand out track. 

A little bit of a change in pace “Girls are better than Boys” and “Brain Sugar” help provide more of the glam rock n roll that we all love. The two songs are very infectious and are nowhere near a filler track.  The latter track takes you back to sing along with even more great lyrics.
Again a little change in “Monkey Zoo” it is an all out hard rock song with that has touches of alt rock but still keeps the melodic sound of the album. The track has big keyboards to help give an orchestra sound to it. It is a slow song but never loses any attention.

“Inside Out” is a nice little acoustic number, catchy and melodic it is a nice campfire sing a long number.  The track sounds pretty much a throw away song but after a few listens it is a firm favourite.  It is one of those tracks that could be a big hit on the radio, say if it was on a film or TV show. Nice wee guitar solo here keeps the hands waving.

An all out rocker in “I Wanna be New” nothing fancy but loud rock music and a nice track to lead into one of Gingers oldest songs. Written for a Wildhearts album it has never seen the light till this album. “Church of the Broken Hearted” could make a Bon Jovi fan shed a tear. But add in the the big church Choir he is going for it in a big way. It is a good song and played very well great soloing that would make Slash gulp.

Overall this is a fantastic album and a real mix of rock music styles. With the music business in 2000 being much about Nu Metal bands many rock bands were pretty much not getting a look in. Same with this album it was not picked up by a UK label and even when it did come out it was on a small independent with no promotion. 

I think if this was given a good shot by the right record company there is no reason why it could not have done so much more. It had all the things needed for a classic rock album and easily provided all rock fans something to enjoy. I saw the band live once and it was a real treat. A second album was written but shelved due to lack of interest. 

Black Leather Mojo is easily available but try get the 2CD copy as it has extra demo tracks from the missing second album. 

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Friday, 10 February 2012

Classic album review, The Wildhearts, Endless Nameless



The Wildhearts, Endless Nameless (Mushroom-1997)

Yeah I know the band did sort of make it. Plenty of top 20 singles and a ton of touring in the UK and Europe placed this band into rock royalty. But there is a missing link and an album that splits fans so much even now 15 years later the album is still hated by diehard fans.

I think that hate is unfair, more intensive dislike is what I have felt from fans. But I really love this album. At the time it was a new start after the shambles of the East West record deal they signed a new contract with Mushroom records and done it in fashion on the entrance to East West records in London.

The band toured before the release of the album and one or two songs were played. Sounded good to most but in the studio they seem to up the levels on everything. I mean EVERYTHING the drums and bass got the same treatment. My stereo at the time just could not handle this one and the only way to hear it was on my headphones.

With the band in a drug fueled frenzy and an album needed by the record label I think they just did not have time to do anything that was well polished so they made the album all bands want to make. Plug in, play and fuck off. Simple but here the songwriting took a turn, the bass player wrote and sung on the first single. Sill charted as well and a Top of the Pops performance to eclipse anything was done.

I remember at the time looking at the screen in shock, it was just not anything like I have heard or ever heard. Noise that could make you vomit but rock out at the same time. The industry in 97 was very boring. Many indie bands had sunk without trace and the whole charts were dance and pop music only. Thank fuck for this album!

The drugs took the main spot in writing as well with titles like 'Junkenstine' and cover 'Heroin' making sure more singles were not possible even if the music could get radio play 'Pissjoy' has a chorus that has kids singing 'pissjoy na na na na na'. Singles 'Anthem' and 'Urge' were the most like a rock song but the heaviness of the music was just way too much for most. But for people like me who love new music and who were fed up with the crap on the charts it was like walking through a field on a summers day.

After a few listens and the shock of the production passes the tunes come through, mind you singing along and humming are things you just cant do with this album.

It is at the end of the day a riff album and any rock and metal fan should be able to tell a riff from noise. The band managed to record more than ten tracks here in this style. All B sides were the same and with some real stand out songs as well. Jason and the Scorchers cover 'White Lies' is as nearly as good as the original and the house shaking Zomboid will be played when the world ends.

Witness an album split the fans and critics and then wait a few years and see the many other bands jumping up and down with Nu Metal (Overproduced noise) hit the charts and make a mint.

As the first single goes,

I'm in love with the rock and roll world.

Endless Nameless is easily available via download and CD but a reissue in 2010 adds all the b side tracks as well. Worth it for Zomboid alone I say.