Public Image LTD, First Issue

Public Image LTD, First Issue (Virgin-1978)

Many people including myself love the Sex Pistols. I even have them in this blog as I think they should have sold way more albums. History seemed to repeat itself here as the Pistols split up in America while on tour and this album was never released in America till last year. So if you are an American who has had this album on import then well done you.

As Lydon was on tour he would always write new material and some of it he simply could never take to the rest of the band. Listen to this album to find out why. One of my highlights is "Religion I" and "Religion II". The first is simply Mr Lydon reading out loud the lyrics to what is a full song with backing band on the second. His lyrics were taken to the band and instantly dismissed. The song was deemed to extreme for the Sex Pistols. I love the track and it makes me ask questions on many things, not just religion. The whole sound for the album is one that is pretty much as far away from the charts as you can get. For us now getting into the music from that era it is called Post Punk but I feel it is just rock n roll with more spite.

What I love about PIL and also this album is how slow the music is, many people take music that has some big statement or when it contains anything aggressive to be fast and loud and there for unalienable. Not here, nice slow thought out passages of music. "Theme" shows this with the very much simple but fun bass lines. Keith Levene's guitar work sounds complex but it is simply notes with some distortion and FX. As John Lydon comes in on vocals you know this will not be on BBC2.

The whole punk movement was built on showing that anyone can take to a stage and this album keeps it going. So what you can't sing like ABBA or play keyboards like Rick Wakeman. None of that matters and single "Public Image" shows this. It was quite catchy and the only real radio song here. The bass is simply an open E string on the intro and a few chords. Later Lydon explained the song is about how he was viewed in his past band.

"Low Life" has been talked about in being about the ex manager of the Pistols, Malcolm McLaren. The lyrics and the title track show you his thoughts. The song does have some nice melodic feel to it and can even be danced to with the nice bass lines and drumming.

Low Life

Low Life

Ego-maniac traitor

You never did understand

You fell in love with your ego

It did not fit into plan

The last track is one that stands out for me "Fodderstompf" seems like a piss take to me. The band were running out of time in the studio and had to get it done. I also think this song is what prompted the American label to want the album to be re recorded. As I said the album was never released in the US due to the label there saying the album was too uncommercial to go out. That was the point no? They missed it big time. Never less some re recording was done and still a strict no from the label. It is as if "Fodderstompf" was a song to see into the future. They were right.

Still the album sold well in the UK gaining Silver (60,000) award and a top 10 single in "Public Image". I wonder if America got this album what would have happened, imagine a promo of Religion going to stations? Fuck me! It would have made what the Pistols done look like an episode of Sesame Street.

Now available in the US via Light in the Attic Records and all over the world.

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F-Minus, F Minus

F-Minus, F-Minus (Hellcat, 1999)

I really do not know much on this band at all, coming from California and this being there debut album. At the time punk was sort of coming back in a real way. Green Day and other pop/punk bands kind of re ignited many younger people into the style. But this is for many fans of that music a little bit of a progression. Out with the pop part and well simply a real punk band.

Well it is more of a crossover in a way, I am happy to add them to the hardcore  bands from the time and I think live they could be as solid as many who were about in the late 90s. But anyhow I am not debating what/why they are but why you should get this album.

Again it is not all sing along but it is shout along stuff. The first track is a whopping 35 seconds long. This gives you an idea of what is on offer. But it is done very thoughtfully as many of the tracks really do gel into each other very well. "Slave Labor" is a title that may not get it listed on radio one but for me it gets my ears interested. The 90s were all about pop punk and then into skate punk. I really didn't give two fucks about those bands. Where I grew up if you went about dressed like that you were looked on as a rich kid. And most likely would get mugged.

Tim Armstrong (Rancid) produces this album and I think he done a great job, simply play. The drums at times sound bad and very much un professional but that gives this album its real spite. The constant kick on the bass drum that sounds like it is 25 years old and so far out off tune it would make the big name producers cry. By the way this band were later produced my Steve Albini so there sound really was catching peoples attention.

The songs do have at times some nice melodic parts, mostly in the vocals. Feel free to raise a fist and shout along as that is what it is all about. Many bands were making it and I think F-Minus were given much respect but the sales were not there. Later moving to Epitaph who have many times sold a shed load for punk bands. I have no idea why this band didn't make it as many hardcore band don't entice the punks to listen and this band did easily cross the border of the two styles. I had friends into punk liking them as much as UKHC (UK hardcore) fans.

If you like early Black Flag and much of the music on the Dischord label early days this album will slot right in and make that hellish bus ride to work on a Monday just a little bit easier. I makes me want to accidentally whack my guitar out of tune and make a hell of a racket. Job done!

Very easy to get this via Amazon indi sellers here

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